How to Succeed in Evil » News

So I have a t-shirt somewhere that says “Evo is my God” — he was giving them out at DragonCon a couple of years ago. He’s a magnificent bastard, not self-effacing, but.. Anyway, I think Evo’s spot on. I think I’ll start doing podcasts of the process. You will NEED to tell me if it becomes boring and self-indulgent.

Yes, there will be a few spoilers. But really, who cares? Spoilers only ruin the most venial kind of storytelling. Take, for example, good old William Shakespeare. He had a habit of giving away the whole story in the first minute of the play.

1 Two households, both alike in dignity,
2 In fair Verona, where we lay our scene,
3 From ancient grudge break to new mutiny,
4 Where civil blood makes civil hands unclean.
5 From forth the fatal loins of these two foes
6 A pair of star-cross’d lovers take their life;
7 Whose misadventured piteous overthrows
8 Do with their death bury their parents’ strife,
9 The fearful passage of their death-mark’d love,
10 And the continuance of their parents’ rage,
11 Which, but their children’s end, nought could remove,
12 Is now the two hours’ traffic of our stage;
13 The which if you with patient ears attend,
14 What here shall miss, our toil shall strive to mend.

Sometimes it’s tricky to see things clearly through the Elizabethan English. Two families hate each other. Their kids fall in love and then commit suicide. That’s the whole story. But Swounds Man! It doesn’t take one whit away from the play. Because the question of all great imaginative fiction is not how or what but why? Crappy Sci-Fi cares about how the teleporter works. Great Sci-Fi cares about why, when the teleporter can only save your wife or your son, you choose who you do. In fact, that’s all of great writing.

As another example, here’s a bit of scene where Topper convinces Edwin to sue Excelsior (basically Superman). That completely spoils the piece, but, even knowing that, I’ll wager you enjoy it thoroughly.

“You really think we can sue him?”, asked Edwin

“I know we can. It’s called the law. And if anybody can twist it to work in your favor, it’s me. But more importantly than that, we’ll have public opinion on our side. It will be fun, easy and profitable. And I know how you like profit.”

“But he’s a costumed hero. Beloved by the masses he protects.”

“Beloved? No, he’s famous. He famous because he can fly and bullets bounce off his chest. He’s not famous because he’s a talented guy. He’s not famous because he’s a nice guy. People like the show, the don’t give a shit about the person. In fact, they secretly dislike him.”

“You mean you secretly dislike him.”

“You’re goddamned right I dislike him. I actually have a secret grudge against everybody who’s taller than I am. Excepting you big fella. You’re so freakishly tall, it wraps around, I actually feel a little kinship. The world wasn’t made to fit either of us. Anyway,” Topper shook off this line of thinking like a dog shaking off water, “my point is, how do you like a guy who constantly reminds you that you’re inferior? You might kiss his ass in case you need him. You might put him on the Christmas card list for getting little fluffy out of that Elm tree,”

Now that Topper was all revved up, Edwin couldn’t resist, “Elm?”

“Maple, pine, spruce, it can be a friggin Juniper bush for all I care. Point is, he’s arrogant. Prideful. And what does pride goeth before?” The pause became so long it was no longer rhetorical.

Reluctantly Edwin said, “A fall?”

“Not anymore my lanky friend. These days, pride goeth before settling out of court for a big fat wad of sweaty cash.”

“Would that be the proverbial wad of sweaty cash?”

“Yeah, yeah, whatever you like. Let’s just get this asshole.”

“Is this personal for you?”

“Yeah it’s personal. It’s always personal with me. That’s why I’m so good. come on Ed, this is a guy, you tell him to take a flying fuck at a rolling donut, he can actually take a flying fuck at a rolling donut? Who likes that guy? Wait, don’t answer that. I’m your laywer I’ll answer for you. Nobody. Nobody likes that guy.”

So the old email box has been flooded in the last week. And everybody is asking the same question. What in the hell is going on?

The only thing I find lacking in your work to date is the lack of quantity. I enjoy Edwin, as well as the short stories of yours I came across in Voices: New Media Fiction. Do you currently have any ETA or status update for your loyal fans?

Yes I do. I’ve completed the first draft of the novel. And I’m about a third of the way through the rewrite. I’m good for about a chapter a day. And I’m on chapter 14 now. That’s about 26,000 words rewritten out of a target of 80ish. The beginning has gone a little slower than I would have liked because I’ve added a couple of charcters and an entire subplot.

I am also rather curious about how much progress you’ve made in the last three months.

Me too. Or curious as to how hard it got there for a little while. I’ve found that if I try and put the hurry up on it (like I sometimes do with my shorter work) it always, always comes out bad. But if you just plug away at it every day at the same time in a workmanlike fashion, it comes together faster than you expect. Mostly, I had to clear my head from all the garbage of previous incarnations to write this clearly and well.

I was highly entertained and can’t wait for any other items that may off shoot from this story.

You know, I could easily spend my time doing more audio episodes. And I have no end of ideas for off-shoots and spin offs. But I feel that would mean that this is as far as the story will go. No, it’s time for a more communicable form. So the time I can spare from my life (which there’s less and less of) is devoted to the novel.

So I have a question for all of you. I’m thinking about podcasting the novel as I work on this rewrite. I have some reservations about this, not from a media standpoint, but from an artistic standpoint. The episodes as they exist are more along the lines of notes. Thoughts on toward a character and a story. What I’m trying to do by writing the novel is have a full and complete, fully realized story. But there’s a difficulty with this

What if the story changes?

Sure that sounds stupid, but, believe me. It’s happened to me more than once as I’ve written this novel . It started off in the direction I wanted, then it changed dramatically. And for the better.

And I don’t know if my fear makes any sense. I’m just looking for some way to get this thing done and appeal you slavering (and much loved) fans. Thoughts anybody?

So I’m printing the first draft. It’s the biggest thing I’ve ever printed. 200 pages on 8.5 x 11 paper. I even jiggered the margins so it would be smaller. It’s a big moment. The thing is a big brawling mess. I’m pretty sure my toner cartridge is going to completely blow it’s wad.

Hey, lookie there, there goes page 100. Halfway there.

Some of the chapters are little more than an outline — a description, or a key bit of dialog. But all the pieces are there. Rough and incomplete as it may be, I have written a novel. I know that the first draft of everything sucks. (Quite intimately) But it is a first draft. Huzzah.

Now it’s time to read it through and see if I can make anything good out of this gangly pile of words.

So I’ve recently had some questions about the comic. And we don’t have anymore printed. But, I do have a pdf of the the completed and colored first issue. Call it a Christmas present to the faithful and the early adopters.

So I had this dynamite opportunity that sucked up all my time for the last three months. The way it goes I guess. But ‘evil has suffered. Just the way it has to be. The reality is that it’s touch and go and tug of war until I can get this thing to start paying it’s own way.

But this comment from Stephen helped me put a few things into perspective.

Chill out. My RSS reader is patient. What works is lots of ideas. Ideas take time. Even Newton complained about how long it took to get a new idea to make sense. Remember Newton? First with the reflecting telescope (the Newtonian), white light is made up of colors, calculus, orbital calculations, and on and on ad nauseum? And both Rawlings and Tolkien are known to have rewritten a chapter from scratch to fix some flaw in it. But in the end, it’s worth it.

He’s right. It takes time. An especially because I’m trying to crack a very unusual kind of story. How do you write a guy that’s smarter than you? How do you give Edwin obstacles? Either he gets pounded flat ’cause he’s got no powers, or he’s so smart nobody can overcome him. It’s a very narrow middle ground.

One of the things I’ve been doing is analyzing how novels are constructed to suck the readers in and make them care about the characters. I’m really trying to clear a lot of story bullshit from my head by going back to books that worked on me and trying to figure out why. Harry Potter does it instantly. Ender’s Game, the same. Sympathy, jeopardy and suspense. Throw in a little comedy, and that’s probably all there is.

So on my quest to revisit books that sucked me out of my life and into their world, I picked up the first book in the Wheel of Time Series. Strange that as I start his book, I learn that Robert Jordan has just passed away. Condolences. Here’s a quote from him that I find oddly appropriate right now

“If you must mount the gallows, give a jest to the crowd, a coin to the hangman, and make the drop with a smile on your lips”

Anyway, at the beginning of the book he takes a group of ordinary villiagers and thrusts them into an extraordinary situation. One could make the case that it’s Hobbits and the Shire covered over with a fresh coat of paint — but, honestly, if you want to play that game, every character who faces adversity with his friends is a frigging Hobbit. And how would it be possible to write fantasy without echoing Tolkien? Or Mythology?

But I don’t care about that. But what I notice is that, because he’s put an ordinary person in an extraordinary circumstance, we’re already on board. Harry Potter is the same thing. Basically he wakes up one day and after a life of misery and pain, he discovers he has magical powers. After that, it’s details. But the central question is, how does he come to grips with who he finds himself to be.

I’m having some success working it out with Edwin, but it’s difficult. And all the podcasts and writing so far are basically notes. I’m testing out ideas, playing with the characters.

And thank all of you for bearing with me. I promise the ride is only going to get more interesting from here.

Okay, okay. So I’m lame for being quiet for so long. (And I know I’m lame)

But things are bubbling. I swear they are. For one thing, we’ve got a colorist (the Mighty Myron Macklin) and he’s awesome. And we’re almost, almost, almost, so close I can taste it, done with the color version of the book.
And of course, if you’ve caught up with the latest installment. We can expect many interesting things from Topper in what I’m going to call Season Two of How to Succeed in Evil.
Here’s a peek at the color (unlettered) Read the rest of this entry

And I’m not talking about the carpet. It’s the first run of the first issue of How to Succeed in Evil. 25 issues done digitally so we could have something to flash around at HeroesCon. Not in color, not perfect. But very, very good.

Soon they will be in color and soon they will be for sale.

The first issue is drawn and will be printed soon. I promise. Final pencils are finished today (June 14th) and we’re going to be shopping a digital comp of the book around HeroesCon and to a number of publishers.

I’ve also found a number of interesting on-demand options. And I’m determining what kind of quanties you need to run for offset printing to make financial sense. (I’m getting a fast and furious education.)

So be patient. The book is drawn. We’re just trying to figure out how the best way to get it into people’s hands. And the best way to grow and sustain this idea for many issues to come.

The scene outside the courthouse:

Topper introduces himself:

Edwin is pleased: